Art 1 focused on a Renaissance application to the portrait, so to switch things up, we went for a Pop Art connection with simple bold lines, and a patterned background in Art 2. There are many artists that could be used as a reference like Lichtenstein, Warhol, Britto, and more. To ensure a personal connection, student had to include a personally symbolic pattern in the background. This also helped give a little 3-D pop to the work as the patterns went "behind" the face in most cases. Varying the thickness of our markers helped this too.
Though I have seen pixilated Post-it murals, students expressed an interest in having their own image they could take home when done. Murals too require a large amount of Post-it notes. Each of our images were 8 x 10 notes, so 80 in all. (Get Super Sticky) That is 2 small packs of Post-it notes with 45 per pack. I found some at a deep discount and used those. The issue however, was how to play with the notes and create a base on which to draw. I solved that by having students put their grid images inside clear pouches, tracing their grid and image with Sharpie markers, and coloring on the back of the pouches with dry markers. By tracing the faces and grids with rulers, it enhanced the lines and made it much easier to do the grid process. The dry markers allowed students to change their color schemes too. Students had to count colors as well; I only allowed them 2 packs of 45. You could let them use more, but as a first time trial, I limited them to 2 colors.
I don't think I am the first person to approach portraits this way, but I was not able to find examples for my students, so I did one for myself to work out some issues. I think using "Super Sticky" notes would be better than the regular ones, but ours did do fine. I also do not know if they are archival or acid free, but one could cut out acid free construction paper to achieve similar results. Whatever you decide to do, It was a valuable experiment and experience.

















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